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Most of us have heard of Holly Hobbie, but perhaps Sarah Kay and Betsey Clark are slightly less familiar. All three artists specialised in drawing greetings cards, lending their names to the characters they drew, which were later issued in doll form. The Betsey Clark character is an old-fashioned miss, quite distinctive with her pointed, elfin-type face, teardrop-shaped eyes, high forehead and wispy blonde hair caught up with a thin ribbon into a bunch on top of her head. Pictured right: Betsey Clark doll She is a poor waif, with patches on her clothes and oversize shoes. This adorable child was created by her namesake, Betsey Clark, who lived in Amarillo, Texas. Betsey showed early promise for art and design, winning awards for drawing while still a child. In the early 1960s she began work at Hallmark cards, producing greetings card designs which depicted her so-called Whimsical Waifs. These soon caught the public’s imagination. Later, various dolls featuring her characters appeared, to the delight of both children and adults. Additionally, the German company of Goebel were commissioned by Hallmark to produce a series of Betsey Clark figurines for collectors. According to a collector’s site on the internet, Betsey proclaimed that she loved to ‘work off in a little bitty corner, with the drapes pulled around me’. She died in 1987, but her enchanting characters live on. A range of Betsey Clark dolls was issued by Knickerbocker in the 1970s. Amongst them was an 8″ tall vinyl-headed, soft-bodied girl, dressed in a pretty pale blue outfit of patterned dress and striped apron. Her apron bore two patches. The pale colouring of the dolls’ features and clothing reflected the delicate hues in Betsey Clark’s illustrations, and the attractive box featured a picket fence, topped with a robin, with the Betsey doll standing behind. A verse on the box read, ‘Betsey’s the very best kind of a friend, whenever you need her, she has time to spend. You can tell her your troubles when something goes wrong, and wherever you go, she likes going along! She can make you smile brightly when you’re feeling glum, when you tell her your secrets, she’ll keep every one! She can make almost anything more fun to do, and she’s coming to stay and have fun times with you!’ Betsey was also available as a small all-vinyl doll and as a rag doll, while in 1985 a delightful 6″ porcelain collector’s doll was created. Betsey Clark dolls seem more difficult to obtain here in Britain than those of Sarah Kay and Holly Hobbie, which is a shame as they are very cute with their wistful faces and large, sad eyes. Artist Sarah Kay seems to be something of a recluse. Apparently, she shuns all publicity, preferring to talk through her delightful portrayals of little girls in old-fashioned summer dresses and mob caps. Often confused with Holly Hobbie, Sarah Kay’s creations tend to wear clothes featuring spotted fabrics, while Holly Hobbie uses patchwork and small floral prints. Pictured left: Sarah Kay doll She lives in Australia, and trained at art college before joining an advertising agency. When her daughter Allison became very ill, Sarah needed something to soothe her worries, and began to work on a series of drawings featuring carefree children in an idyllic, old-fashioned country setting, gaining her inspiration from her own childhood, spent on her grandparents farm. The drawings were noticed by the Valentine Greetings Card Company, and were produced as popular cards and stationery. Pedigree decided to manufacture dolls based on the little girls in the drawings, producing a range during the late 1970s and early 1980s. Some of the most delightful had vinyl faces with round, painted eyes and softly coloured lips. A few freckles were scattered across the bridge of the nose. Pictured right: Sarah Kay Pedigree doll Sweet Thoughts These dolls had rooted hair and soft bodies, and stood 13″ tall. They had names such as Gentleness, Tenderness, Sweet Love, Sweetness, Cheerfulness, Happiness, Joy, Affection, Kindness and Sweet Thoughts, and each wore a different colour or pattern; for instance, Gentleness wore mainly green, Tenderness blue, Sweet Love red and so on. Several versions were available including rag dolls in assorted sizes, and Pedigree also marketed a nightdress case, shaped like a Sarah Kay doll, under the Burbank name. Sometimes the dolls wore bonnets or mob-caps, while others had straw hats. In their 1979 catalogue, Pedigree proclaimed, ‘The most beautiful rag dolls ever. High quality material. Detailed replicas of world famous greetings cards.’ The House of Anri, founded and maintained by the Riffeser family over several generations, is famed for its creative range of wooden figurines, which are made at St. Christina, located in the Dolomite mountains of South Tyrol, Italy. Amongst their products are ornamental models of Sarah Kay characters. These delightful pieces are hand-carved from Alpine maple and are extremely popular. Several kinds of Sarah Kay jointed wooden dolls have also been carved, including Martha, a sweet little girl, 14″ tall, made in a limited edition of 750. She has the trademark freckles across her nose, and is dressed in a typical Sarah Kay outfit of cotton frock and bonnet. As you might expect, these painted, wooden creations are expensive, but they are extremely beautiful and collectable. Most famous of the three designers is Holly Hobbie. During the 1960s, people became intrigued by her designs featuring a little girl, facing sideways, dressed in a long patc hwork frock, with a large bonnet totally obscuring her face. This pose tended to create an urge to see the expression which lurked beneath the brim. Grannies, especially, adored this nostalgia theme, imagining it was their granddaughter lurking under that floppy bonnet, and the whole concept happily coincided with the fashionable look of the day – long, floaty dresses, small prints, Laura Ashley, country style, femininity and pastel shades. Pictured left: 1975 Knickerbcoker Holly Hobbie doll Holly Hobbie created her designs for the American Greetings Card Company for many years, featuring children in […]
When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his Bronze statuettes and ceramic figural work epitomise the era perfectly. As like Preiss, Chiaparus and Kelety the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. Pictured right: A Josef Lorenzl Cold-Painted Bronze and Ivory Figure With Decoration By Crejo Circa 1930 Modelled cast and carved as a young woman adopting a stylish pose, her costume decorated with enamelled flowers, onyx plinth, base signed Lorenzl, dress signed Crejo 10.5/8 in. (27 cm.) high. Sold for £5,000 at Christies, London (Feb 2014). Although very little is known about Lorenzl’s early life we are aware that he was born in Austria in 1892 and was soon to become one of the most talented sculptors of the Art Deco Period. He started by working for a bronze foundry in Vienna Arsenal where he produced stunning bronze statuettes. The majority of his works in bronze and ivory were of singular slim female nudes with long legs which conveyed elegance. His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lampbases and bookends. Like his contemporaries Lorenzl work was created using “Chryselephantine”, a Greek word which refers to the combination of various materials such as bronze, ivory, gold and silver. He signed his pieces in various ways sometimes abbreviating his name to “Lor” or “Enzl” but on some of the statuettes you will find an additional signature by Crejo. A talented painter who worked alongside Lorenzl, Crejo would paint decoration onto the statuettes such as flowers and these are the figures which bear his signature. Far more desirable with Crejo’s painting these can command a premium at auction. Recently Bonhams sold an example of Lorenzl’s work with Crejo decoration for £10,500 but the pieces created by Lorenzl alone generally fetch in the region of £600 – £1,200 depending on the subject matter. Pictured left: A Josef Lorenzl (1892-1950) Cold-Painted Bronze and Onyx Timepiece Circa 1920 Modelled and cast as a crouching nude female figure holding a dial with onyx face, on onyx plinth raised on slate base, apparently unsigned11½ in. (31.7 cm.) high. Sold for £4,700 at Christies, London (Nov 2013). From his designs in bronze and ivory Lorenzl went on to work for the Austrian ceramics company Goldscheider. Again creating stunning sculptures of the female form collector’s are more aware of this period and his sculptures in ceramic than they are of his earlier bronze and ivory statuettes. Inspired by shape and bold colours Lorenzl’s sculptures had clean lines and geometric shapes. Although each piece possess great movement there was no intricacy or attention to detail and most of his figures wore their hair in the boyish bob which was fashionable at the time, making these simplistic and stylish figurines the epitome of Art Deco design. One of Lorenzl’s friends Stephan Dakon who he had met whilst working at the bronze foundry had the same vision and style as Lorenzl so it was the obviously thing for Lorenzl to recommend Dakon to Goldscheider when he started to work for them. Taken on as a freelance designer Dakon was of the same mindset as Lorenzl and so much of their work was very similar. People at the time even believed that the two were in fact the same person. Both the artists had an interest in the female form, dance and theatrical costume. This was enhanced with Lorenzl when he took a trip to Paris and visited Folies Bergeres. Famous dancer Josephine Baker was on stage with her chorus dancers, all wearing extremely flamboyant costumes, Lorenzl was captivated by t he glamour and outlandishness of the dancers and so on his return to Austria reproduced gorgeous figurines wearing vibrant coloured costumes and in various dance poses. He was also able to use his skill as a bronze sculptor to use the earthenware to his advantage. Carving delicate fingers and enhancing the women’s female form Lorenzl set about producing some stunning sculptures. “Captured Bird” was one of his most popular and was created in many different colourways and sizes. This particular piece is of a dancing girl with a gossamer winged dress which was inspired by a dance performed by Niddy Impekoven and was also captured onto a lamp base with three figures of this elegant lady dancing around the stand.. Other dancing girl figurines which were created by Lorenzl include “Butterfly Wings,” “Spider-Web Dress” and “The Arabian Dancer.” Not only did all his creations represent the elegant and feminine side of a women but each were also very subtly seductive. Adapting his theme of dance Lorenzl also went on to produce the “Egyptian Dancer or Odalisque” in 1922. This particular piece was again reproduced with models wearing different coloured shawls and is one of the most recognisable figures today. By the 1930’s Lorenzl and Dakon were the principle designers at Goldscheider, although there were many freelancers employed by the firm. It is here that we see another slight change to Lorenzl’s work. Although he had used the naked female form in much of his bronze and ivory works it was during this period that he started to produce these mildly erotic yet beautiful nude figurines for Goldscheider. “Awaken” and “Nude with a Borzoi” are perfect examples of Lorenzl’s talent for taking the naked female form and making it glamorous yet sophisticated. Although the majority of Lorenzl’s sculptures for Goldscheider were females and these are the ones that command the higher prices he also experimented with other ideas. “Mephistopheles” was a figure of the devil dressed in theatrical costume, and although one recently sold at Bonhams for just £385 it shows his passion for theatre, costume and the arts. Lorenzl is considered the most important Goldscheider artist in the […]
Whilst travelling back from a toy fair where I saw a couple of Banana Splits toys, The Dickies version of the Banana Splits Tra La La song came on the radio. I was a massive fan of the show when I was younger so I thought I would indulge myself and cobble together a feature and on Collecting the Banana Splits and Banana Splits collectibles. The feature includes some vintage and newer Banana Splits collectibles and a price guide for the items. In 1967, William Hanna and Joseph Barbera approached Sid Krofft and Marty Krofft to design costumes for a television show which would feature animated and live-action segments, with the whole show hosted by a bubblegum rock group of anthropomorphic characters. The format of the show was loosely based on Rowan & Martin’s Laugh-In. The Banana Splits Adventure Hour premiered on NBC on September 7, 1968. Each show represented a meeting of the “Banana Splits Club”, and the wraparounds featured the adventures of the club members, who doubled as a musical quartet, meant to be reminiscent of The Monkees. The main characters were Fleegle, a beagle (possibly crossed with a flat-coated retriever); Bingo, an orange-furred gorilla (possibly, half-orangutan); Drooper, a lion; and Snorky, called “Snork” in the theme song lyrics, an elephant. Fleegle would assume the role as leader of the Banana Splits and preside at club meetings. The characters were played by actors in voluminous fleecy costumes similar to later Sid and Marty Krofft characters such as H.R. Pufnstuf. They all spoke in English – Drooper with a Southern drawl in the manner of Michael Nesmith, Fleegle with a pronounced lisp – except for Snorky who “spoke” in honking noises. The Banana Splits’ segments included cartoons, songs, comedy skits, and live action features. Cartoons included Arabian Knights, The Three Musketeers and repeats of The Hillbilly Bears, a cartoon segment that previously appeared on The Atom Ant Show (1965–1968). The show’s live-action segments included Danger Island, a cliffhanger serial, as well as the short-lived Micro Ventures, an animated series consisting of only four episodes. For the first season, some of the live-action segments – specifically those used during the musical segments – were shot at Six Flags Over Texas, an amusement park located in Arlington, Texas. For the second season, filming took place at Coney Island amusement park in Cincinnati, Ohio. In many episodes, the Banana Splits would be seen riding on the Runaway Mine Train roller coasters, Log Flumes, Bumper Cars, Merry-Go-Rounds, and many other rides at Six Flags and Coney Island. The Sour Grapes Bunch is a group of human girl characters from the Banana Splits. One of the members of the club – Charley, usually played by Shirley Hillstrom – would bring a written note to the Splits. None of the Sour Grapes spoke in the entire series; however, they would also do a number with the Banana Splits. In the first-season episode on October 5, 1968, a song debuted entitled “Doin’ The Banana Split,” as all five girls appeared together with the Splits. The Banana Buggies and Toys Who didn’t want a Banana Splits buggy? The Banana splits buggies were customized Amphicat six-wheel drive all-terrain vehicles each decorated to resemble the character who drove them. These were seen driven by each live-action character in the opening and closing segments and occasionally in show segments. The closest most collectors will get to the Banana Buggy were the plastic 1/25 scale model kits issued by Aurora Plastics Corporation in 1969 and discontinued in 1971. These were only out for two seasons and when seen a mint in box edition will sell for over $200. A recent sale on ebay saw a excellent example sell for £220 ($281). Funko released a series of four Dorbz Ridez models in 2016 based on the series released in editions of 300 at the San Diego Comic Con (Banana Buggy with Bingo and Banana Buggy with Bingo with Snorky) and New York Comic Con (Banana Buggy with Fleegle and Banana Buggy with Bingo with Drooper) . These are now selling for between $75 and $100 each. Banana Splits and Comics Gold Key began publishing a comic version of The Banana Splits’ adventures in 1969, releasing eight issues through 1971. The series was drawn by Jack Manning and followed the Banana Splits team trying to find work or on the road between gigs. Issue number 1 in high grade VFNM CGC 9.0 will sell for about $150. In 2017 DC comics made a Banana Splits had a crossover with the Suicide Squad in Suicide Squad/Banana Splits Annual #1. “SUICIDE SPLITS”! Mistaken for metahumans, thrown in the bowels of Belle Reve, the animal rock band Banana Splits are recruited by Amanda Waller for a secret mission: to save the Suicide Squad! What follows is the weirdest team-up you never thought you’d see! How can Fleegle, Bingo, Drooper and Snorky stand up to Harley, Deadshot, Katana and Croc? Banana Splits Reference Professor Plastic the banana splits banana buggy
In this highly digital age board games are taking more and more prevalence for spending interactive time with family and friends. From this we seem to be digging those family board games we still own from the seventies and eighties out of the cupboards, blowing off the dust and this gets us thinking….. Is this worth selling or playing? What is mine worth? How do I get a valuation? Is mine collectible? One example is the game consisting of the original usual suspects. Colonel Mustard, the Reverend Mr Green, Mrs Peacock, Miss Scarlett, Professor Plum and the (apparently) controversial Mrs White. She was removed from the game in 2016 after it was claimed that having a housekeeper was a ‘dated idea’ and was replaced with Dr Orchid. The artwork was also updated to a more cartoon style. An original 1949 edition of Cluedo, the popular crime deduction game can sell for around £150. But wait, it would have to be unplayed !! Unplayed?? Who, genuinely in 1949 was thinking that this brand new board game would be worth buying, taking home and NOT playing with it in the hope that in seventy years time it will be something of value? Surely these games are there to be played with? A pre loved copy of a board game has more character having stood the test of time. Write in the comments below if you are a board game collector and own the games to play or to simply to have bragging rights that you own a much sought after copy. As a board game collector myself, what interests me more than anything is owning an original copy of a game that has been played with since it was originally produced. The idea that I am now sitting with my family and friends playing a game which was handled and played when it was very first produced? What are your thoughts on this? When looking for an original copy of Cluedo don’t forget that the black and white cover thought to be the first edition is not actually the case. This could affect your expected valuation. Instead you would be looking for a bold, red thumb print under the magnifying glass as in the above picture. This changed to the simple black and white as the additional printing layer of the blood red was far too costly to keep up with the demand for the game. Over the years the art has changed significantly on the box and in the game. From the late 1950s into the 1960s it would look like this. I’m in my mid forties and I remember this art from the late 1960s through the 1970s. More recently Cluedo looks like this. In recent years the game has been franchised into versions from films, specific areas (similar to Monopoly), Disney, comics and more. These include Harry Potter, Nightmare Before Christmas, Charlie and the Chocolate Factory, Ricky and Morty, Sherlock and even a Newcastle and Gateshead edition. These editions are more niche and limited and have the potential to increase in the value. And remember that in the United States the game has simply been called Clue. There is even a spin off film starring Tim Curry which I am a huge fan of. Our research shows that certain online auction sites have varying prices. Why?Because there are two sides to the story. What someone wants for it and what someone is willing to pay. Board game related features How much is my Monopoly worth? Cluedo feature by Rob Edmonds.
Masons Ironstone China The 19th Century saw a massive growth in the British pottery industry with the production of functional, durable and decorative ceramic tableware. The durable nature of the pottery being produced and the ability to use transfer-printing, meant that customers still wanting Oriental patterns could now have the patterns on a much more dense, and stronger “china”. Pictured: A Mason’s Ironstone Part Dinner Service Late 19th Century, Impressed And Black Printed Ironstone China Marks Each piece with a figural chinoiserie vignette within a paper scroll and oyster ground punctuated with floral sprays and cartouches of precious objects. The set comprised over 100 plates, platters, dishes etc. Sold for $50,400 at Christies, New York, 2006. Image Copyright Christies. The manufacturing process could also be scaled up and the production moved to large factories, the cost of items was reduced and a new market of aspiring middle classes could now afford household china for everday use. This move supplanted the more delicate Chinese style porcelain that was common at the time. One such material was ironstone – a hard, dense and durable, slightly transparent white earthenware. The first form of ironstone was thought to have been manufactured by William Turner around 1800 at the Lane End potteries at Longton, Stoke-on-Trent. A number of potters were experimenting and it was also known as semi-porcelain, opaque porcelain, English porcelain, stone china and new stone. Pictured: A William Mason blue and white dessert-plate and three Mason’s Ironstone dishes Circa 1820, the dishes with printed and impressed MASON’S PATENT IRONSTONE CHINA marks The dessert-plate printed with the ‘Furness Abbey’ pattern, within moulded arcading and broad borders of scrolling cartouches of landscapes divided by passion-flowers and convolvulus, the dishes of leaf-shaped form with double-scroll handle, printed with the ‘Blue Pheasant’ pattern (all with riveted repairs and slight chipping, and staining to first) The first 7½ in. (19 cm.) diam., the second 9 5/8 in. (24.4 cm.) wide (4). Sold for £688 at Christies, London, 2009. Image Copyright Christies. Ironstone was first patented in 1813 by Charles James Mason, the son of Miles Mason. The Mason’s were a family of potters and had been developing a number of potting techniques at their works at Lane Delph, Fenton. The patent was No. 3724 was for a process for the “Improvement of the Manufacture of English Porcelain’, IRONSTONE PATENT CHINA”. The initial patent was for 14 years and was not renewed. Other companies such as Davenport and Hicks, Meigh & Johnson started producing similar wares. Pictured: Eight Mason’s Ironstone Jugs Circa 1825-35, Black Printed Marks Of octagonal form and graduated in size, painted with Oriental figures within shaped cartouches on an iron-red tiled ground The tallest 7½ in. (19 cm.) high (8). Sold for £688 at Christies, London, 2009. Image Copyright Christies. At the time the patent was taken out the ownership of the company was transferred to Miles Mason’s two sons and became known as G. & C. Mason or G. & C. Mason & Co. Family members include Miles Mason, his sons William Mason and Charles James Mason, and George Miles Mason.The company enjoyed enormous early success and continued to introduce new wares and designs. However, a change in fortunes saw Charles James Mason declared bankrupt and the firm close in 1848. Charles James Mason started a new factory at the Dasiy Bank Pottery but he died in 1856. At that time all the Mason patterns and moulds passed to Francis Morley. Morley and the Ashworth family formed a partnership during the period 1858-60, at the Broad Street works in Hanley. In 1862 Morley retired and passed everything to Ashworth including the Mason patterns, copper plates, moulds and trade marks. The company was acquired in 1884 by John Shaw Goddard and remained in the Goddard family until 1973 when the firm joined the Wedgwood Group. Masons Ironstone Related Masons Ironstone at Auction The Mason Family of Potter MILES MASON Miles was born in December 1752 in the village of Dent, Yorkshire. By 1769 he had moved to Chigwell where he was a neighbour of the Farrar family. On 13th August 1782 he married Ruth Farrar at St. Gabriel’s, Fenchurch Street. He was aged 30 but she was only 16 years old. After the marriage Miles became tenant-in-chief of a fine house and other properties at Chigwell Row, Essex which had previously been let to his late father-in-law by the Lord of the Manor of Barringtons. Apparently he never lived there. On 8th September 1783 Miles became a Freeman of the Glass-sellers’ Company and took the Livery on 23 September 1784. He was the founder of the Mason company and was producing porcelain of a high quality from the early 1800’s. He started by taking over the business of selling imported china which had been started by Richard Farrar, his father-in-law, in London in about 1783. Much of the porcelain sold was of the shape and design of the very popular Chinese export market porcelain. At this time a producer of such wares was called a ‘chinaman’ – a producer of china. By September 1784 he had taken over the china business of Richard Garrett. In 1793 he moved with his family from Fenchurch Street to 41 Finsbury Square and it was at this time that he was master of a City Livery Company. In 1796 Miles had moved to 25 Queenhithe near Blackfriars and it was a this time that he became a partner in three different partnerships and was involved in the manufacturing and retail sides of the pottery trade. One partnership was with Thomas Wolfe of the Islington China Manufactory, Folly Lane, Liverpool, a manufacturer of earthenware, a second with James Green of Upper Thames Street, London, a wholesale pottery-dealing company and thirdly a partnership was formed with George Wolfe so that he could make eartherware at Lane Delph. In June 1800 he dissolved the partnership with Thomas Wolfe, due to the heavy duties that were imposed by the Government in 1799 on […]
Wow! 25 years ago Disney released WCN’s favourite Disney film The Nightmare Before Christmas. The cult film from Tim Burton and has certainly stood the test of time to become of Disney’s best franchises and we would say has had some of best and coolest merchandise, collectibles and toys. With the Nightmare Before Christmas 25th Anniversary well underway, we take a look at what Jack Skellington, Oogie Boogie, Sally and team have on offer in the way of Nightmare Before Christmas 25th Anniversary Collectibles & Toys. Lets start with this fantastic figure by Jim Shore. The figure is called What a Wonderful Nightmare and blends Disney Magic with traditional folk art to create a great piece featuring Jack Skellington, Sally, Zero, Mayor, Lock, Shock, and Barrel. Two classic games Operation and Monopoly have been released in 25th Anniversary editions. Operate on Oogie Boogie in Operation and explore Jack’s Tower, Oogie Boogie’s Casino, Dr. Finkelstein’s Laboratory, and Sally’s Alley in Monopoly. Funko have released some excellent editions including Mystery Minis, Snow Globes, Plushies, a super deluxe vinyl figure of Jack Skellington with Zero, Vinyl, Pen Toppers and more! Some cracking Nightmare items. The collections feature all the main characters including Jack Skellington, Sally, Dr. Finklestein, the Mayor, Pumpkin King Jack, Lock, Shock, Barrel, and Scary Teddy. Funko have also released a number of anniversary Vinyl Pops as well. With the film covering both Halloween and Christmas there are of course some ornaments and tree toppers including Jack Skellington and Sally Legacy Sketchbook Ornament and a Jack Skellington Tree Topper showing Jack as Sandy Claws. There are also exclusive editions at the Disney Parks and various Disney worldwide stores. Ultimately it is all down to the movie itself and there are a number of special 25th DVD and Blu-Ray releases that will keep fans happy. A special thanks to Tim Burton and all involved for this wonderful film.
Voyage to the Bottom of the Sea a cult classic and we take a look at some of the Voyage to the Bottom of the Sea collectibles, Voyage to the Bottom of the Sea merchandise and Voyage to the Bottom of the Sea toys that have appeared over the years. We also look at some auction results and some guide prices. Voyage to the Bottom of the Sea first appeared as a film from 1961 that tells the story of the crew of the submarine Seaview as they battle against a giant sea monster. It later appeared as a cult classic TV series that aired in the 1960s (running from 1964-1968). The show followed the adventures of the crew of the submarine USS Seaview as they battled villains and explored the depths of the oceans. The Voyage to the Bottom of the Sea toys and merchandise that have been released over the years are highly sought after by collectors. Some of the most popular Voyage to the Bottom of the Sea collectibles include the Voyage to the Bottom of the Sea action figures released by Mattel in 1964. These Voyage to the Bottom of the Sea toys are highly detailed and feature articulated limbs, making them a favorite among collectors. Over the years, there have been various Voyage to the Bottom of the Sea collectibles, toys and merchandise items produced. These include action figures, model kits, lunch boxes, t-shirts, comics and more. Other popular Voyage to the Bottom of the Sea collectibles include Irwin Allen’s Voyage to the Bottom of the Sea trading cards, which were released in 1964. These cards feature photos and information about the Voyage to the Bottom of the Sea tv show and movie. These appear to be quite rare in sets and high graded cards are available for upwards of $10 each card. There were 66 cards in the set. A set of 66 in good condition is estimated at $350-$500. Some of the more popular Voyage to the Bottom of the Sea collectibles include the Mego action figures which were produced in the 1970s. These are highly sought after by collectors and can fetch high prices at auction. Gold Key created a series of 16 Voyage to the Bottom of the Sea comics from 1964 to 1968. Gold Key Comics was known for their adaptions of popular television shows and movies, and Voyage to the Bottom of the Sea was no exception. The comics were written by a variety of different writers and artists, giving each issue its own unique feel. The TV Series Voyage to the Bottom of the Sea is a 1960s American science fiction television series Voyage to the Bottom of the Sea TV Series created and produced by Irwin Allen. The show starred Richard Basehart and David Hedison. Voyage to the Bottom of the Sea was originally broadcast on ABC from September 14, 1964, to March 31, 1968. During its run, it was one of the most popular shows on American television. It was cancelled after its fourth season due to low ratings. However, it remains a cult classic and has been syndicated in many countries since its original run. Voyage to the Bottom of the Sea was inspired by the success of Allen’s film The Lost World (1960). Voyage to the Bottom of the Sea’s premise is similar to that of Jules Verne’s 20,000 Leagues Under the Sea. In Voyage to the Bottom of the Sea, however, rather than a submarine Voyage to the Bottom of the Sea’s protagonists use a state-of-the-art nuclear submarine, the Seaview, to investigate strange occurrences and fight evil forces. Voyage to the Bottom of the Sea was also notable for its time for being one of the first television series to be shot in color. Voyage to the Bottom of the Sea’s theme song, “The Voyage”, was composed by Voyage to the Bottom of the Sea’s musical director, Leonard Rosenman. Voyage to the Bottom of the Sea’s opening credits sequence featured footage from Allen’s film Voyage to the Prehistoric Planet (1965). What to collect? If you are thinking of starting a Voyage to the Bottom of the Sea collection, then there are a few things you should consider. First of all, you need to decide what items you want to collect. There is a wide range of Voyage to the Bottom of the Sea collectibles available, so it is important to narrow down your focus. Once you have decided on the type of Voyage to the Bottom of the Sea collectibles you want to collect, you need to do some research. This will help you to find out what items are available and how much they are worth. Collecting Voyage to the Bottom of the Sea collectibles can be a fun and rewarding hobby. It is important to remember, however, that these items can be valuable investments. So, it is important to do your research before you start buying Voyage to the Bottom of the Sea collectibles. Related The Time Tunnel Collectibles
The Adventures of Tintin (Les Aventures de Tintin) is a series of classic comic books created by Belgian artist Georges Rémi (1907–1983), who wrote under the pen name of Hergé. The series is one of the most popular European comics of the 20th century, with translations published in more than 80 languages and more than 350 million copies of the books sold to date. With the recent The Adventure of Tintin film we take a look at Tintin Books & Tintin Collectibles. Pictured right: Tintin Book – Tintin in the Land of the Soviets (in the original French, Les Aventures de Tintin, reporter du “Petit Vingtième”, au pays des Soviets) is the first title in the comic book series The Adventures of Tintin, written and drawn by Belgian cartoonist Hergé (1907-1983). Originally serialised in the Belgian children’s newspaper supplement Le Petit Vingtième between 10 January 1929 and 8 May 1930, it was subsequently published in book form in 1930. Designed to be a work of anti-Marxist and anti-socialist propaganda for children, it was commissioned by Hergé’s boss, the Abbé Norbert Wallez, who ran the right wing Roman Catholic weekly Le XXe Siècle in which Le Petit Vingtième was published. The series first appeared in French in Le Petit Vingtième, a children’s supplement to the Belgian newspaper Le XXe Siècle on 10 January 1929. The success of the series saw the serialised strips collected into a series of twenty-four albums, spun into a successful Tintin magazine, and adapted for film, radio, television and theatre. Pictured left: Tintin Collectible Tintin Holding the Unicorn figurine from the Steven Spielberg adaptation of Tintin and the Secret of the Unicorn Set during a largely realistic 20th century, the hero of the series is Tintin, a young Belgian reporter. He is aided in his adventures from the beginning by his faithful fox terrier dog Snowy (Milou in French). Pictured right: ABS Tintin Collectibles figurine showing the historic first meeting between Tintin and Captain Haddock, as featured on page 15 of The Crab with the Golden Claws. Each model is neatly presented within a Plexiglas cube, The high-quality finish of every character ensures that each tiny detail, movement and expression has been faithfully rendered to reproduce Hergé’s original drawings. Later, popular additions to the cast included the brash, cynical, grumpy and often drunk Captain Haddock, the highly intelligent but hearing-impaired Professor Calculus (Professeur Tournesol) and other supporting characters such as the incompetent detectives Thomson and Thompson, who can only be told apart by the cut of their moustaches, (Dupont et Dupond). Hergé himself features in several of the comics as a background character, as do his assistants in some instances. The comic strip series has long been admired for its clean, expressive drawings in Hergé’s signature ligne claire style. Its engaging, well-researched plots straddle a variety of genres: swashbuckling adventures with elements of fantasy, mysteries, political thrillers, and science fiction. The stories within the Tintin series always feature slapstick humour, accompanied in later albums by satire, and political and cultural commentary. Pictured right: Movie poster from the The Adventures of Tintin Secret of the Unicorn Tintin Books & Collectibles Related AbeBooks.co.uk – find more than 110 million out-of-print books worldwide. Tintin Book Titles 1. Tintin in the Land of the Soviets (1929–1930, 1930) 2. Tintin in the Congo (1930–1931, 1931, 1946) 3. Tintin in America (1931–1932, 1932, 1945) 4. Cigars of the Pharaoh (1932–1934, 1934, 1955) 5. The Blue Lotus (1934–1935, 1936, 1946) 6. The Broken Ear (1935–1937, 1937, 1943) 7. The Black Island (1937–1938, 1938, 1943, 1966) 8. King Ottokar’s Sceptre (1938–1939, 1939, 1947) 9. The Crab with the Golden Claws (1940–1941, 1941, 1943) 10. The Shooting Star (1941–1942, 1942) 11. The Secret of the Unicorn (1942–1943, 1943) 12. Red Rackham’s Treasure (1943, 1944) 13. The Seven Crystal Balls (1943–1946, 1948) 14. Prisoners of the Sun (1946–1948, 1949) 15. Land of Black Gold (1948–1950, 1950, 1971) 16. Destination Moon (1950–1953, 1953) 17. Explorers on the Moon (1950–1953, 1954) 18. The Calculus Affair (1954–1956, 1956) 19. The Red Sea Sharks (1956–1958, 1958) 20. Tintin in Tibet (1958–1959, 1960) 21. The Castafiore Emerald (1961–1962, 1963) 22. Flight 714 (1966–1967, 1968) 23. Tintin and the Picaros (1975–1976, 1976) 24. Tintin and Alph-Art (1986, 2004) Unfinished work, published posthumously
Beads, Bobs And Babies – Dolls in The 1920s by Sue Brewer What a time it was! Carefree, sparkling, crazy; the 1920s was a decade for the young. It was fashionable to be youthful, with thin bodies, no busts and long legs ending in strappy-shoes. Parties were held at the slightest excuse, and dances such as the Charleston were all the rage, performed by arm-flailing, leg-kicking youngsters in fringed and beaded dresses with feathered headbands worn low across their foreheads. The Music-hall was still popular, with roguish singers such as Marie Lloyd playing to packed houses every night, while wind-up gramophones ensured that music was always available – and at least one member at every celebratory gathering was an ace piano-player. My grandmother held parties in her flat next door to the Palace Theatre in Walthamstow, and the artistes would call in after the show, dancing and singing and filling the air with laughter and love, something her children would always remember. She was one of the first so-called `flappers` in the area, rushing to get her hair bobbed as soon as she heard of the fashion. There was a feeling of optimism – the devastating Great War was over – and women were becoming much more independent. During the hostilities, they had worked in previously male-dominated occupations, and having acquired a taste for freedom and life outside the home environment, were determined not to give it up again. Naturally, not everyone was affected by this wave of euphoria. Thousands of people lived in abject poverty, and families still grieved for the men who never returned from the war. In Britain, King George V and Queen Mary were popular monarchs, and George had spent much of the War visiting the troops abroad. He wanted to fight for his country, but was not permitted as it was feared he could be captured as a prize hostage. Queen Mary was very fond of dolls and was presented with a wonderful doll`s house, exhibited at the British Empire Exhibition in 1924. It can still be viewed today at Windsor Castle. This enormous, five foot tall house, designed by Sir Edward Lutyens, contains hundreds of items made by crafts people of the time, such as tiny bottles filled with champagne, ornamental figurines, Doulton china, Cartier clocks and carved furniture. It boasts running water, electric lights and a working lift. German dolls were exceedingly popular during the 1920s, and it was during this time that Armand Marseille introduced one of his most popular lines with the `My Dream Baby` doll. This pretty baby, with a bisque porcelain head, is a favourite amongst today`s collectors. Available in several sizes, with a hard or soft body and in various `skin tones`, there was one to suit every little girl. There was even a choice of open or closed mouths. The open-mouth My Dream Baby was marked with the mould number 351 and was bald-headed with a moulded few curls. Her mouth revealed two tiny bottom teeth. These babies featured the recently-introduced bent-limbed body (as opposed to the `traditional` straight-limbed bodies jointed at knees and elbows.) The closed-mouth version, mould number 341, is particularly sought after today. She has a rather dreamy expression and sweetly-shaped lips, and is not quite so plentiful as her open-mouthed sister. My Dream Baby dolls had either flange or socket heads (indicated by a letter `K` on the back of the neck), and could be obtained as caucasian, black or oriental types, though no attempt was made to alter the features, it was just the colouring which differed. The oriental dolls had a creamy complexion, while the colour of the black dolls varied from milk-to-dark chocolate brown. In America, Grace Storey Putnam developed another top-selling baby doll, the Bye-Lo baby, which was introduced shortly before My Dream Baby – though Armand Marseille claimed he had designed his doll first but not produced it! The Bye-Lo had more realistic face-modelling than the Dream Baby, managing to achieve a `screwed-up` look with the porcelain. Apparently, it was based on a new-born baby, and little creases were put into the composition limbs. Issued in 1922, these sweet dolls became nicknamed the `million dollar babies` because they were so much in demand. They were made by various German companies, including Kestner. Many other manufacturers such as Ernst Heubach, Schoenau & Hoffmeister, Kammer & Reinhardt, Kestner and Simon & Halbig produced bisque dolls at this time, most using the new bent-limbed baby-type body, though girl dolls with multi-jointed bodies were still available. Armand Marseille made other baby types, too, including a particularly attractive character-faced 990 mould. This doll was produced in various sizes, and the larger-than-life model tended to find its way into shop windows, where it was used to model baby wear. Babies were in fashion, because a very special little girl was born in 1926 to the Duke and Duchess of York, who later became Queen Elizabeth II. Little all-bisque dolls were popular, too. These could fit into a dolls` house, or neatly into a pocket to be carried around as a child`s companion. During the Great War, when German exports were discouraged, Japanese dolls made from a coarse white bisque had been introduced, but now, the finer-quality German dolls were back in the shops. Celluloid, wood and cloth dolls were also produced, with manufacturers such Dean`s issuing exquisite moulded-cotton-faced dolls, including the Princess doll from 1927, Posy dolls, boudoir dolls and a range using the newly-developed `Evripose` jointing system. Chad Valley was another company manufacturing cloth dolls at this time; these beautiful dolls featured moulded-felt faces with glass eyes. Their dolls included the Bambina series, made from felt and velvet, and a leggy Boudoir doll. Norah Wellings, originally a designer with Chad Valley, began producing her own collection of dolls during the 1920s, setting up a factory in Shropshire. Her Cora dolls featured felt faces, velveteen bodies and were dressed in pretty frilly frocks. Later she became known for her cheeky sailor dolls. The […]
Whether the young people of today would find these as much as fun as I did when I was given a Give a Show Projector as a present in late 1970s is open to question. My guess is probably YES but there a lot of middle aged children who are collecting these great toys. The Give a Show Projectors was a toy slide projector introduced by US toy company Kenner Products in 1959. In the UK and Australia it was sold under the Chad Valley brand. The set I had was a general one with multiple single slides similar to the one pictured below. There were 16 strips featuring 7 slides so a total of 112 colour slides picturing stories from cartoon characters, TV shows and stories. The set below includes Popeye, Cinderella, Noddy, Woody Woodpecker, Goldilocks, Robinson Crusoe, Oswald Rabbit, Buffalo Bill, Maverick and more. The projector was a large torch with a slot that allowed the user to feed a strip of film through the light it emitted to create projected images. The torch and images were projected on to a blank wall in a dimmed room and the show could then proceed. Most slides had word and pictures, so was a great educational toy as well. The standard projector could project well up to 5 feet. What makes them even more interesting and collectable is that there were many sets were licensed for the system including popular TV series, movies and cartoons such as: Star Wars, Star Trek, Doctor Who, Daktari, Thunderbirds, Stingray and more. Some later sets included sounds in the form of accompanying records which would be manually advanced when a tone sounded. A Chad Valley Daktari ‘As Seen on BBC TV’ Give a Show Projector set A Chad Valley Stingray ‘Gerry Anderson’s Exciting TV Series’ Give a Show Projector set A Disney Jungle Book set A Kenner Star Wars Give A Show Projector As well as sets with projectors individual slide sets were also available. We will be adding a price guide and value guide for individual sets but movie related sets in complete and good condition can sell for up to £80/$120. Related Chad Valley information at Wikipedia https://en.wikipedia.org/wiki/Chad_Valley_(toy_brand) Kenne Products information at Wikipedia https://en.wikipedia.org/wiki/Kenner_Products