Thimble production in 19th-century France was marked by exceptional artistry and variety, encompassing gold, silver, and the famed Palais Royal mother-of-pearl types. These thimbles were not just functional tools but also decorative items, showcasing the sophistication of French craftsmanship. We include a brief overview of French 19th-Century Thimbles, along with some notable designers and a price guide of some sales at auction.
Thimbles were often displayed at French trade fairs, with notable examples exhibited as early as 1819 at the Palais du Louvre. By 1834, Mathieu Danloy’s thimbles earned a bronze medal at the Paris Exposition, highlighting the prominence of French thimble design.

Among the most renowned manufacturers was A. Feau (Alfred Feau), who specialized in gold and silver thimbles. Feau’s creations were showcased not only in Paris at the 1878 Exposition Universelle but also internationally, including Sydney (1879), Melbourne (1880), and Amsterdam (1883). Another distinguished name was F. P. Laserre, whose signed works (‘LAS RRE’) are highly collectible. Laserre’s thimbles, along with others from the period, are notable for their distinctive decorated rims, unlike the plain rims typically seen on English thimbles.

Prominent in the Parisian thimble scene were P. Lenain & Co. and Maison Duval, both recognized for their high-quality silver thimbles. One of the most celebrated designers associated with these firms was Frederick Charles Victor de Vernon, a metallurgist and sculptor. Vernon’s Art Nouveau designs, such as the iconic “The Sewing Girls,” exemplify the fin-de-siècle style. This celebrated thimble, featured in Les Modes in April 1909, was possibly created to commemorate the marriage of Queen Wilhelmina of the Netherlands in 1900. Maison Duval later included this design in a leather-boxed sewing set, which also featured scissors and a needlecase. An example of this set is now held in the British Museum, bearing the mark “J.D.” for Julian Duval, who led the firm from 1893 to 1925.

Vernon also designed thimbles inspired by La Fontaine’s Fables and Perrault’s fairy tales, deliberately echoing 17th-century shapes with waffled tops to align with the stories’ original era. These designs were reissued between 1910–1920 and again in the United States in the 1970s.

French thimbles were distinctively hallmarked under the petite garantie system. Parisian silver after 1838 carried a boar’s head, while provincial silver bore a crab. Imported items were marked with a swan, and unmarked items from 1893 bore an owl. Gold thimbles featured an eagle’s head or, for provincial pieces up to 1919, a horse’s head.
These finely crafted and meticulously hallmarked thimbles remain prized by collectors, offering a glimpse into the elegance and innovation of 19th-century French craftsmanship.
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Palais Royal Thimbles A Pinnacle of 19th-Century Elegance