Discuss, Buy and Trade Netsuke with other collectors Netsuke date back to the 17th Century, and became extremely popular in Europe towards
the end of the 19th Century. This coincided with the Japanese adopting the suit and its
pockets and with oriental artefacts being very much in vogue with buyers in western
Europe. A huge supply of redundant netsuke came into Europe and were sold in many
places as novelty items very cheaply.For the collector today there are many styles, and types, some by well known designers and the range in price can be incredible: from a few $/£ to £140,000 paid for a netsuke horse carved by Tomotada (pictured right). Netsuke served both functional and aesthetic purposes. The tradtional Japanese dress,
the kimono had no pockets. The robes were hung together by a broad sash (obi), so items
that were needed to be carried were held on a cord tucked under the sash. The hanging
objects (sagemono) were secured with carved toggles (netsuke). A sliding bead (ojime) was
strung on the cord between the netsuke and the sagemono
to tighten or loosen the opening of the sagemono.The quality of Netsuke was variable. As everyday objects many were carved quickly with left over materials. Netsuke could be made using a variety of materials mainly wood, and ivory (also shell, bone, horn, even metal and precious stones). Wealthier people would have finer netsuke, and it could be possible to tell the status of an individual by the quality of their netsuke. The workmanship is some is outstanding and despite their small size 1 to 2 inches, there can be considerable detail. There are several types of netsuke including: manju, round or square
button like boxes; and kagamibuta,
comprising a metal lid and a bowl; and katabori.
The range of subjects included all manner of animals, birds, the heores and villains
from folklore, the immortals and mythical animals of Japanese legend, the grotesque
and the amusing. The variety and variability of netsuke is a reason for their continued
popularity today. Knowledgeable collectors look for compactness, a design that appears
good from any angle, and the cord holes must not interfere with the piece and may often
form part of it.
With the decline of the kimono there was less demand in Japan for netsuke, but they
continued to be produced for export. Some skilled designers continued to produce
excellent pieces which are much sort after. Production continued into the 20th Century
with a revival in the art as interest increases.
In recent years a number of poor netsuke have been produced and a number of fakes
of original pieces have also been manufactured. These pieces are often produced using ivory
obtained from illegally poached elephants and other animals. Resin replicas are
also being produced. Many are sold as such but collectors should be careful.
Related Forms of Netsuke Video: A Look at Netsuke Books on Netsuke Netsuke at Auction site by lincs-on-line | hosted by ukhosts.com |