|
Of
all the magnificent services from the 18th century, the Flora
Danica porcelain service is the only one still in production.
This magnificent service was created in what has since been named
the Golden Age of porcelain. Today it is still considered one
of the world´s most luxurious services.
Pictured
left: A Flora Danica serving bowl.
In 1790, 15 years after the company was established in 1775, and
in the midst of the era called ‘the Golden Age of porcelain’
Royal Copenhagen Porcelain Manufactory began to produce a very
special service.
It is said that is was commissioned by the Danish King, Christian
VII, who wanted a porcelain service so beautiful and rare that
it would gain a place among the Russian Empress Catherine II’s
large porcelain collection. But then the Empress died in 1796
before the great work was finished. The service therefore remained
with the Royal Danish Household and today belongs to H.M. Queen
Margrethe II of Denmark.
Pictured
right: An artist painting the Flora Danica design.
The service’s name and decorations stem from the botanical
work Flora Danica whose 51 volumes and total of 3.060 coloured
copper prints were issued in the period 1761-1883. The wide-ranging
work reproduced in minute detail the Danish flora. The great task
of transcribing the decorations to the porcelain became the life’s
work of one man – Johann Christoph Bayer. He undertook the
majority of the painting of the 1,802 pieces. A task which took
him 12 years. The copper prints were carefully copied onto the
porcelain and if he was in doubt about any detail he sent a messenger
to the Botanical Gardens. He would then study the plant to ensure
that the reproduction was correct.
Thus
the porcelain’s decoration became detailed botanical studies.
Then as now without an equal. To this day the decorations are
hand-painted from the old copper-prints which lie on the porcelain
painter’s table just as they did 200 years ago.
Pictured left: An artist working on a
Flora Danica Ice Dome.
60 years went by before yet another Flora Danica Service was
made at the Royal Copenhagen Porcelain Manufactory. The occasion
was the Danish Princess Alexandra’s wedding to the Prince
of Wales, later King Edward VII of England. The service was to
be a wedding present from Danish women to their Princess. This
service is today part of the English Queen Elisabeth II’s
collection at Windsor castle.
Of
the original 1802 pieces of Flora Danica porcelain 1530 still
exists. HM Queen Margrethe II still uses part of the 200 years
old service on special occasions.
Pictured right: A Flora Danica Ice Dome.
200 years of Craftsmanship and Traditions
How is it that Flora Danica could survive two centuries of change
and still be considered one of the most precious porcelain services
in the world?
The
answer can probably be found in the combination of cultural heritage
and quality which has always been a distinguishing feature of
Flora Danica. Take for example the production of one item, the
28 cm tall so-called Ice Dome, which, as far as we know, is only
made by Royal Copenhagen. It involves 16 different processesand
it takes a month to complete an Ice Dome.
Pictured left: Closeup detail of the
Flora Danica
First the modeller cuts out edges and patterns in the still wet
and malleable porcelain mass. The modeller needs a steady hand
– one wrong cut and the work has do be rejected. Next leaves,
stems and flower buds are attached by hand and the Ice Dome is
ready for its first firing in the porcelain kiln. Then the glaze
is put on and the Ice Dome is fired once more. Between each process
the work is carefully controlled so only the perfect ones go through.
Now the porcelain painter paints, free hand, the flower motifs
on the Dome. After each colour it is fired before the next colour
or nuances can be painted. On the work table in front of her/him
the porcelain painter has one of the old copper-prints. The plant’s
Latin name is written on the bottom of the Dome next to the painter’s
initials.
Do the Craftsmen’s Traditions have a Future?
Here in the 21st century we can ask ourselves why Royal Copenhagen
continues with elaborate and costly craftsmanship traditions.
The reason is that competently executed, old virtues and values
become more and more important in our hi-tech age. Values we cannot
live without. What do we offer the modern person, who, in this
age of excess and mass-production, is afraid to loose the connection
to some valuable life qualities?
It is considerations such as these which lie behind Royal Copenhagen’s
philosophy. Danish decorative art industry places great demands
on both design and production. The prerequisite is that the craftsmen’s
traditions are projected and protected, and that the know-how
is kept at a high level.
Images and text courtesy of the The
Offiicial Royal Copenhagen Web Site
Visit the World Collectors Net Royal
Copenhagen message board
Related posts:
- Flora Danica: A Royal Porcelain Service
- Royal Copenhagen
- Royal Copenhagen
- Royal Dux Porcelain
- Royal Worcester Porcelain & Figurines information and message board
|