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On
my travels around collector's fairs I have recently been drawn
to a range of unusual looking costume jewellery. So distinctive
in design it keeps leaping out at me and I cannot walk past without
studying its intricate patterns and styles. So intrigued was I
that after some investigation and research I found myself being
sucked into the vibrant colourful world of renowned French costume
jewellery designer - Lea Stein.
Lea was born in Paris, France in 1931 and although very little
is known of her early years it is believed that a lot of her childhood
was spent in a concentration camp during WW2. Lea married Fernand
Steinberger in the 1950s but it was not until the 1960s that she
embarked in her own business of making creative innovative designs
in costume jewellery.
Fernand
had discovered the process of laminating celluloid; using many
paper-thin celluloid acetate sheets he created a multi-layered
effect, finishing the process off with a top layer of material
such as lace or even straw. Once the layered sheets had been blended
they were then baked to harden and various shapes could be hand
carved. The master piece could take up to as long as 6 months
to perfect and then when totally satisfied it was used as a template
to produce the jewellery (or component to use its official term),
these components then transformed into the fantastic sculpture
designs that today is so recognisable as Lea Stein.
From the 60s right through to the 80s Lea produced pins, earrings,
necklaces, bangles and even other objects of desire such as picture
frames and mirrors. Amongst some of her earlier work are unusual
buttons that again vary in design and were bought by French Couture
fashion houses, but even rarer are the serigraphy pins, which
were typically art deco in style, and were commonly images of
ladies or girls framed like miniature paintings.
Lea's
patterns and designs vary from the amusing caricature to the classic
geometric deco style. Lea's great passion for Art Deco shines
through in her work with pins such as "Flapper" and
one of my favourites the "Deco Cat" which I have seen
sell recently for as much as £90.00. The stretch bracelets,
bangles and necklaces also have a distinct deco influence with
the geometric squares and colours such as green, which were typically
used in jewellery during the 1920s and 1930s.
One of the more common designs and the one that Lea is most
famous for, is the "Fox" pin; these come in all types
of colours and patterns and are easily recognisable with their
looped tail and outstretched paws. This particular design can
be found in layered pattern, pearlized, snakeskin and even glitter.
Costing as little as £30 to £35 upwards you could
easily just concentrate on collecting the foxes, as there are
so many pattern variations.
In the 1970's Lea Stein bought the licence to a French Children's
Television show called "L'ile aux Enfants" - this translated
into English means "Isle of Children". She reproduced
the characters onto pins, which were only made during 1975. All
the characters were from the programme and include "Casimir",
"Tiffins" and the really loveable "Calimero"
who is a little black bird with an eggshell sitting on his head.
These are extremely hard to come by and do not come up for sale
very often, but if you do find one expect to pay £70 to
£100.
In
the early eighties the company fell into financial trouble and
had to cease trading. However, this was not the end of Lea Stein,
after a break of 9 years she began making earrings out of the
fox head pins and cat faces left over from the factory. She hasn't
stopped there either, now from her home in France Lea is still
producing and coming up with new ideas, thus keeping up with the
demand from collectors. Prices for Lea Stein vary from as little
as £25 upwards, depending on whom and where you buy, but
it is actually the more modern pieces that fetch higher prices
as less quantities are being made compared to when Lea had a factory
and was able to produce on a much higher scale. The more recent
designs very rarely appear on the secondary market as collectors
snap them up instantly.
It is not just the distinctive patterns that make Lea Stein so
recognisable, the "V" shaped clasp is the trademark
and is signed "Lea Stein Paris" on the back although
some earlier 1960s pieces do not have the signature. This clasp
creates some confusion about distinguishing the vintage pieces
from the more modern but I am reliably informed the only way to
tell the age is by the designs themselves. There is discussion
that the clasp gives away the age of a piece by whether it has
been secured by being melted into the back of the pin or whether
it has been riveted. This allegedly is not true, the type of design
determines how the clasp is fastened and does not identify the
age of the item. Another way to distinguish between earlier and
later pieces are the back of the pins themselves, some of the
lying down and upright cats have nasty white backing which generally
means that they are later pieces.
Early vintage designs to look out for are the "Tennis Lady"
or "Diver" as she is also known, this particular pin
was made between 1968 and 1980 and can cost around £65 -
£70. "Rolls Royce", "French Sailor",
"Saxophone" and even rock legend "Elvis" are
also highly desirable to collectors, again made in the same time
bracket and costing around the same price on the secondary market.
One of the more modern pieces to look out for is the front facing
panther. There are only a few on the open market as Fernand and
Lea recalled it due to the fact that they were not entirely happy
with the finished product. Other modern designs are the bears
and Pouf Dog. These too vary in price depending on whether they
are bought from retailers or other forms of secondary market such
as internet auctions.
I am a great believer in getting vast amounts of enjoyment from
collecting and what better way than to be able to use the items
that you collect as well as admire them. It is the sheer combination
of vibrant bold designs and the twist of Art Deco influence that
I feel draws collectors to Lea's work. The other major factor
to Lea Stein - and in my opinion the most important - is that
when you wear it you are not only wearing a piece of innovative
craftsmanship but you are wearing a piece of designer jewellery
that will really make you stand out of the crowd.
All image courtesy and copyright of www.decogirl.co.uk
RECOMMENDED READING
Lea Stein Jewelry by Judith Just
(Please note this book is one produced by a collector so fantastic
for the images of pieces but the guide prices are not totally
correct).
ISBN : 0-7643-1381-9
Published by Schiffer Books
CONTACTS
Deco Girl
Website :www.decogirl.co.uk
e-mail : wanda@decogirl.co.uk
(www.decogirl.co.uk has a large collection of Lea Stein)
Christopher St. James
7 The Mall
Camden Passage
London
N1
Tel : 0207 704 0127
Has the largest collection of Lea Stein in the UK)
(Only open Wednesday and Saturday)
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