Lowry Masterpiece Sells For Record £3.8

Good Friday, Daisy Nook by L S LowryGood Friday, Daisy Nook, a masterpiece by L.S. Lowry (1887-1976) sold today at Christie’s
in London for £3,772,000, the highest ever price for the artist at auction. The picture was last seen at
auction in 1970 when it sold for £16,800 and set a record price for the artist at the time. The auction of
20th Century British Art realised a total of £14,567,480, setting a record total for a sale in this category for
the sixth successive time.

Good Friday, Daisy Nook highlighted the finest and most comprehensive private collection of pictures by L.S. Lowry ever to appear at auction. Factories, Lancashire, another work from the same collection, sold for £1,128,800, the fourth highest price for the artist at auction. In total, five paintings from the Collection sold today for a total of £5,972,000, doubling pre-sale expectations.

Today’s auction concludes British Art Week, a week of auction sales, events and lectures dedicated to the history of British art and furniture. A selection of paintings, watercolours, furniture and sculpture
representing over 300 years of British art was sold over 4 sales held between 5 and 8 June. British Art
Week included works by many renowned artists, including Bomberg, Lowry, Rossetti and Turner, as well as a selection of important English furniture, and realised a total of £27,580,220.

Good Friday, Daisy Nook eventually sold for £3,772,000 to Richard Green, London after a 10 minute
bidding battle. This price represents the highest ever price for the artist at auction. Painted in 1946, the picture portrays the Lancashire town of Daisy Nook in festival mood. Traditionally, mill workers were
confined to only two statutory days of holiday every year; Good Friday and Christmas Day. Every year
on Good Friday, the town of Daisy Nook would stage a fair and provide entertainment to the local
crowds. Managed by the Silcock family, whose name appears in the background of the painting, the fair regularly attracted huge numbers of people and still takes place to this day. The present painting depicts
this annual fair in 1946, the year after the end of the hostilities of the Second World War. The Ashton
Reporter stated at the time that there were ‘Record crowds at Daisy Nook’, as people celebrated a return to
the fair and a return to normal life. The painting reflects post-war cheer and relief and depicts crowds of
energetic, colourful characters, many holding whirligigs and flags. The work sold today at Christie’s was
last seen at auction in 1970 when it sold for £16,800, a record price for the artist at the time.

Factories, Lancashire, dated 1947, is a more recognizable work by the artist. This industrial townscape,
complete with numerous mills and smoking chimneys, is portrayed from an elevated angle which looks
down on the crowds in an objectifying manner and shows the diminutive figures going about their
business. This exceptional example of a Northern industrial townscape sold today for £1,128,800, the
fourth highest price for the artist at auction. It was bought by Richard Green, London.

Beach and Promenade, dated 1948, realised £546,400 at today’s sale. Another example of Lowry
capturing the spirit of recreation, this time at the seaside, the viewpoint for the picture is elevated once
again. However, the figures of this work reach down to the foreground of the canvas, and it is possible
to make out the faces of the characters at the front of the crowd. Lowry spent many of his childhood
holidays by the sea, vi siting Lytham St. Anne’s at Easter and Rhyl, on the North-West coast, in the

The Mansion, Pendlebury, dated 1944, is set in Lowry’s home town and sold for £344,800 at today’s
auction. The Lowry family had moved to Pendlebury in 1909 when L.S. Lowry was 22 years old, and he
was to continue living there for almost 40 years. The current depiction of a mansion house reflects the
artist’s fascination with solitude as the lone mass of a building dominates the canvas. A crowd can be
seen to huddle around the front door of the residence, echoing Lowry’s words that ‘where there’s a quarrel
there’s always a crowd…. It’s a great draw.’

Whitehaven , dated 1954, offers an alternative depiction of a seaside view. The artist would often depict
human forms isolated in industrial landscapes. In the present painting, three people and a dog, standing
on the shore, are confined by a wall on one side and the sea to the other, with the looming presence of a
mill dominating the skyline. This picture sold at today’s auction for £180,000.

L.S. Lowry, R.A. (1887-1976) was a curious character, dedicated to his art but always restrained by the
Industrial movement that he portrayed. Lowry worked a ‘9 to 5’ job with Pall Mall Property Company in
Manchester until his retirement in 1952, and painted only in his spare time. Despite this restraint, he was
hugely successful even within his lifetime; the Manchester City Art Gallery purchased An Accident in
1930, he was signed up to the Lefevre Gallery in London in 1939, he was elected an R.A. in 1962 and by
1967, the General Post Office issued a stamp reproducing one of his paintings. Lowry had been
appointed official artist at the coronation of Queen Elizabeth II in 1953. He went on to turn down an
O.B.E., a C.B.E., a C.H. (twice) and a knighthood on the grounds that he saw little point in receiving
awards after the death of his mother.

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